National Gallery Modern Art - Indian Art News https://indianartnews.visionsarts.com News on Modern and Contemporary Indian Art presented by Visions Art Fri, 08 Aug 2014 11:02:00 +0000 en-US hourly 1 https://wordpress.org/?v=6.7.1 https://i0.wp.com/indianartnews.visionsarts.com/wp-content/uploads/2017/10/cropped-Visions-Art.png?fit=32%2C32&ssl=1 National Gallery Modern Art - Indian Art News https://indianartnews.visionsarts.com 32 32 136536861 Tagore’s art remembered in distant Slovenia https://indianartnews.visionsarts.com/tagores-art-remembered-in-distant-slovenia/ https://indianartnews.visionsarts.com/tagores-art-remembered-in-distant-slovenia/#respond Fri, 08 Aug 2014 11:02:00 +0000 http://indianartnews.info/tagores-art-remembered-in-distant-slovenia/ An exhibition of prints of selected paintings by Tagore and his contemporaries begins on Thursday, his death anniversary, in Slovenia. The anniversary of the passing away of Indian Nobel …

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This June 4, 2011 file photo depicts 'Peacock', ink and water colour on paper, by Rabindranath Tagore displayed at the National Gallery of Modern Art in New Delhi. Photo: Shanker Chakravarty
An exhibition of prints of selected paintings by Tagore and his contemporaries begins on Thursday, his death anniversary, in Slovenia.
The anniversary of the passing away of Indian Nobel laureate Rabindranath Tagore will be remembered in Slovenia from August 7, his death anniversary, to Sep 4, with a unique exhibition of prints of selected paintings by Tagore and his contemporaries —— provided by the National Gallery of Modern Art in New Delhi.
The exhibition displays representative works of Rabindranath, Abanindranath and Gaganendranath Tagore, along with those of Abdur Rahman Chughtai, Jamini Roy and Amrita Sher—Gil.
The uniquely curated exhibition will be on display at the house of culture in the world heritage village of Smartno in the municipality of Goriska Brda on the western border of Slovenia with Italy, according to a statement issued by the Indian embassy in Slovenia.
The village of Medana in the municipality of Goriska Brda was the natal home of poet and jurist Alojz Gradnik, who was the most prominent translator of Tagore’s works into the Slovenian language from 1917 onwards.
Gradnik’s translation of “Gitanjali” into Slovenian was published from Ljubljana in 1924. The memory of Gradnik is kept alive by the international festival of poetry and wine at Medana every August and by the “Gradnik evenings” in November each year.
This is the first time that the memory of Tagore is being so honoured in the birthplace of his major Slovenian translator after Tagore visited Yugoslavia in 1926. Slovenia, a country of two million people in Central Europe, is one of the breakaway countries of the original Yugoslavia.
By 1926, the Indian Nobel laureate’s works, translated by Gradnik and others, had generated an unprecedented response in Slovenia. Slovenian identification with Tagore and his people derived from a perceived common goal of striving for political and cultural independence.
“One of Tagore’s aphoristic poems has been carved into a signpost in the mountains above the town of Polhov Gradec. Maribor city has installed a bust of Tagore in a central park,” said Sarvajit Chakravarti, the Indian ambassador to Slovenia, and the brain behind the exhibition.
The Slovenian ministry of education, science and sports hosted the first commemorative concert of Rabindra Sangeet in Ljubljana on Tagore’s birth anniversary May 7 this year. The municipality of Maribor also hosted an exhibition of prints of paintings by the three Tagores.
Following the widespread influence of Indian spiritual ideas in the West, British art teacher Ernest Binfield Havell attempted to reform the teaching methods at the Calcutta School of Art by encouraging students to imitate Mughal miniatures. Havell was supported by Abanindranath Tagore, a nephew of Rabindranath Tagore. Abanindranath painted a number of works influenced by Mughal art, a style that he and Havell believed to be expressive of India’s distinct spiritual qualities, as opposed to the “materialism” of the West.
The mantle of the Bengal school was taken up by Santiniketan, a university focused on the preservation and uplift of Indian culture, values and heritage, which Rabindranath Tagore established. It included the art school Kala Bhavan, founded in 1920—21.

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Philadelphia Museum to showcase Nandalal Bose’s finest paintings https://indianartnews.visionsarts.com/philadelphia-museum-to-showcase-nandalal-boses-finest-paintings/ https://indianartnews.visionsarts.com/philadelphia-museum-to-showcase-nandalal-boses-finest-paintings/#respond Tue, 24 Jun 2008 08:33:00 +0000 http://indianartnews.info/philadelphia-museum-to-showcase-nandalal-boses-finest-paintings/ Ashok NagKOLKATA: Bengal School art is going places. The first-ever exhibition of Bengal School master Nandalal Bose is about to be unveiled in the US. A show comprising nearly …

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Ashok Nag
KOLKATA: Bengal School art is going places. The first-ever exhibition of Bengal School master Nandalal Bose is about to be unveiled in the US. A show comprising nearly 100 of the finest paintings by the artist will be opened at Philadelphia Museum of Art and remain on display from end-June to the beginning of September. The exhibit is being staged by the San Diego Museum of Art in collaboration with the government of India and National Gallery of Modern Art (NGMA), New Delhi. “Considered to be the father of modern art in India, Bose worked to regenerate and redefine India’s art during the region’s emergence from British colonial rule and its transition to an independent nation in 1947. The paintings on display were selected from nearly 7,000 of the artist’s works, all of which are held by NGMA which were gifted to India by the artist’s family. The exhibition marks the first time survey of Bose’s artworks — that are considered to be Indian national treasures — has travelled to the United States,” Darielle Mason, Stella Kramrisch Curator of Indian and Himalayan Art, said in an email to ET from the US. Mason said: “We are delighted to present this rare retrospective that examines one of South Asia’s great 20th century artists. While Bose’s art is inextricably bound to the story of India’s national awakening and independence, it is at the same time personal and nuanced. Although, he was highly influential to a younger generation of artists, his works represent an area of modern art that has been little understood in the United States. We are particularly happy to introduce these works to a broad public in the context of this museum’s fine collections of earlier paintings and sculptures from India.” Among the exhibition’s key works is an image of Mahatma Gandhi. The striking black and white linocut Dandi March, created in 1930, depicts Gandhi on the famous 248-mile journey that he and his followers took to make salt from seawater in defiance of British colonial tax. Bose’s image is now considered as one of the most iconic portrayals of the leader.
The section devoted to Gandhi also includes seven posters that Bose created at Gandhi’s request for the 1938 Haripura Session of the Indian National Congress. Bose used local materials, including handmade paper and colours ground and mixed from the earth. “The large-scale paintings celebrate Indian village life and culture in bright colours and lively scenes. Bose’s adoption of Japanese and Chinese techniques to illustrate India’s heritage, national pride and spirituality is evident throughout the exhibition. Many of these Asian-inspired paintings evoke scenes from nature. Bose also depicted traditional Indian religious icons in modern styles,” Mason said. Some of the works of this genre, in the show, embrace Flute and Drum Players, Darjeeling and Fog, Floating a Canoe, Dolan Champa, Saraswati, Annapurna and Sati.

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