Art Investment - Indian Art News https://indianartnews.visionsarts.com News on Modern and Contemporary Indian Art presented by Visions Art Sat, 25 Apr 2015 07:48:00 +0000 en-US hourly 1 https://wordpress.org/?v=6.7.1 https://i0.wp.com/indianartnews.visionsarts.com/wp-content/uploads/2017/10/cropped-Visions-Art.png?fit=32%2C32&ssl=1 Art Investment - Indian Art News https://indianartnews.visionsarts.com 32 32 136536861 Making a comeback https://indianartnews.visionsarts.com/making-a-comeback/ https://indianartnews.visionsarts.com/making-a-comeback/#respond Sat, 25 Apr 2015 07:48:00 +0000 http://indianartnews.info/making-a-comeback/ According to Knight Frank’s The Wealth Report 2015, “it is always possible to commission a new yacht, but nobody can paint another Monet or build a classic Ferrari” “Gold …

The post Making a comeback first appeared on Indian Art News.

]]>
According to Knight Frank’s The Wealth Report 2015, “it is always possible to commission a new yacht, but nobody can paint another Monet or build a classic Ferrari”

“Gold has lost its lustre. That’s the conclusion global asset managers are making as condominiums and contemporary art emerge as more attractive investments” – as reported in The Times of India.

 According to Knight Frank’s The Wealth Report 2015, there has been a 3 per cent rise in ultra-high-net-worth-individuals (UHNWIs, those with wealth in excess of $30 million) worldwide, with 42,272 individuals in Asia (60,565 in Europe, 44,922 in North America), of which the Indian distribution is as follows: Mumbai 619, Delhi 157, Bengaluru 75, Chennai, Hyderabad 39, and Ahmedabad 20. With ‘art its most popular investment of passion’, what does this say about the art market in India, currently centred in New Delhi and Mumbai (in that order)? And what of the 40 most important cities for UHNWIs in which Mumbai figures at 26th spot, Delhi doesn’t figure at all, and the top five cities are London, New York, Hong Kong, Singapore, Shanghai?
 With art market research suggesting that art appears to be bouncing back with an annual growth of 15 per cent, what does this portend for India? More importantly, is the $1 billion Indian art market (of a total $60 billion, $16 billion of which is made up by China) even aware of it and creating strategies around it? Frank suggests that big spends will involve luxury and its associated brands. Where does art figure in this? Especially as the report suggests that “it is always possible to commission a new yacht, but nobody can paint another Monet or build a classic Ferrari.”
 Art as an asset class has recovered almost all over the world, and prices have begun to harden in India, though still nascently, allowing for huge opportunity as wealth increases and the rich look for a diverse portfolio that moves beyond property, gold and luxury brands. Not only is art seen as aspirational, it also remains accessible with multiple entry points in different price ranges. Though the market stayed stagnant for longer than had been anticipated, the movement now appears stronger, built on a bedrock of competitive pricing and a demand for provenance and documentation that will stand the test of time.
 More interestingly, it brings to question the need for infrastructure not just in the prime UHNWI cities in India but also around the world. Should cities with the world’s richest populations develop an infrastructure that will support the growth for Indian art? This becomes especially moot because prices for Indian art are currently seen as low and, with sufficient interest, could become the fad of the global collecting world. If a surge follows, it will return investment on value at a far higher rate than art from more established markets, making it a savvy investment. No wonder banks have started advising clients about art as an asset class that should be considered in the mid-to-long-term range.
 As happened in the period from 2002 to 2008, this will heat up the market, but with the wisdom of hindsight, punters can hedge their bets better, not playing hokey with supply and demand as much as on quality. Having had its fingers burnt, previous investors might be cautious, but with a new, emerging class of investors, art makes great capital sense for most for its uniqueness.
 The difference, this time, might be in the buying parity for Indian art. With global investors watching the India business story play out under a new government, it might be they – rather than Indian collectors – who will power the market. In which case the best time to buy Indian art, before prices escalate, is now.
Kishore Singh    April 25, 2015

The post Making a comeback first appeared on Indian Art News.

]]>
https://indianartnews.visionsarts.com/making-a-comeback/feed/ 0 357
Here’s Looking At Handsome Returns https://indianartnews.visionsarts.com/heres-looking-at-handsome-returns/ https://indianartnews.visionsarts.com/heres-looking-at-handsome-returns/#respond Wed, 02 Sep 2009 08:12:00 +0000 http://indianartnews.info/heres-looking-at-handsome-returns/ Published: Monday, 31 Aug 2009 | 2:22 PM ETBy: Shelly K. Schwartz,Special to CNBC.com If you’d added a few paintings to your portfolio over the last few years, instead …

The post Here’s Looking At Handsome Returns first appeared on Indian Art News.

]]>
Published: Monday, 31 Aug 2009 | 2:22 PM ET
By: Shelly K. Schwartz,
Special to CNBC.com

If you’d added a few paintings to your portfolio over the last few years, instead of all those Lehman Brothers [LEHMQ 0.155 -0.0341 (-18.03%) ], AIG [AIG 36.00 -9.33 (-20.58%) ] and Citigroup [C 4.54 -0.46 (-9.2%) ] shares, your retirement nest egg might be looking a little different right now.

Indeed, for the 10-years ended January 2009, the price index of all fine art work sold more than once worldwide outperformed the Standard & Poor’s 500 index of large cap stocks. (Gold, however, was the clear frontrunner during the period.), according to London-based artprice.com, which tracks the market.

Fine art includes paintings, sculpture, prints, video and photography.

Similarly, the Mei Moses Fine Art Index of repeat art sales at the leading auction houses and the S&P 500 produced roughly equal compound annual returns over the last 50 years.

The index underperformed equities over the last 25 years, and “significantly outperformed equities” over the last five- and ten-year periods, according to artasanasset.com, which maintains the index.

At the same time, investment-grade art enjoys a low correlation with other asset classes, including stocks and bonds, strengthening its case as a candidate for portfolio diversification.

“We view art as a very interesting long-term asset class,” says Philip Hoffman, chief executive of the Fine Art Fund Group, an international investment partnership in London. “There are a lot of opportunities to make significant capital growth if you know how to buy and sell.”

Why, then, doesn’t everyone sink their savings into canvas?

For one thing, art is a volatile asset. It’s hard to tell when demand for a certain genre or school will suddenly peak—or even dry up.

After a ten-year run, for example, in which Chinese contemporary art saw prices surge more than 500 percent and Indian contemporary art enjoyed a 700 percent gain, art works in both categories have seen their values fall by 30 percent since January 2008, according to Artprice.

Another reason to tread lightly is that art is far less liquid than other financial assets, making it harder to sell in a pinch.

Lastly, keep in mind that indices that track repeat sales are somewhat skewed because they include only art pieces that already have an established following.

Risk Management

That said, if you’re tired of watching Wall Street throw cold water on your 401(k) and are ready to diversify into an asset you can enjoy, there are steps you can take to mitigate risk and boost your profit potential—and you don’t have to be a Rockefeller to do it.

According to Artprice, some 70 percent of all artwork sold at auction between January 2008 and June 2009 fetched a price of $5,000 or less.

During that same period, “affordable” art priced below $5,000 gained 60 percent in value, while higher end pieces gained a staggering 150 percent.

Before you even think about putting down money, however, it’s important to educate yourself about the forces driving the art market overall, and the niche you’re hoping to pursue, says Paul Provost, senior vice president, director of trusts and estates at Christie’s auction house in New York.

“The art market is made up of a series of micro markets and each one moves in accordance with its own dynamic,” he says.

American furniture and decorative folk art, for example, have a different demand cycle than, say, classical antiquities, impressionist paintings or post-war contemporary pieces.

“It’s the same with investing in the stock market,” says Provost. “You have to drill down to the issues surrounding large-cap, mid-cap and small-cap stocks along with the different sectors. You’re not just going to say, ‘I want to invest.’”

His suggestion? “Talk to seasoned collectors. Go to the auction houses and ask questions. Get involved with the museum and befriend the curator. An educated consumer is going to be best equipped to maneuver in this marketplace.”

Due diligence is all the more important given the number of unscrupulous art dealers who traffic in imitation art.

Provost says newcomers should stick with reputable brokers and auction houses that can help verify authenticity.

“The art market is not immune to the same scandals that have rocked the financial services or real estate market,” he says. “Investors need to be careful about what they’re doing, do their homework and understand who they’re working with.”

Attractive Prices?

From a return on investment standpoint, he says, it’s also good advice to buy the best piece you can afford.

Artwork that emanates from more mature markets, such as Old Masters paintings, can cost anywhere from $10,000 to many millions of dollars, depending on the artist.

Rare and important photographs, however, which have only been collected for the last 50 years, can still be had for as little as $2,000—though Christie’s recently sold one for $1 million.

“With each new photography sale there’s often a new world record set so that’s an area that has tremendous collecting interest,” says Provost. “The great photographs now are expensive, but I’d recommend those are the ones to buy. The great ones generally increase in value the most. Mediocre objects tend not to increase in value at the same pace.”

If you’re not accustomed to putting all your eggs in one basket, you can also consider an art investment fund, but be prepared to shell out some serious money.

The Fine Art Fund Group, for example, founded in 2001 as a diversified portfolio of high-end artwork, is only open to investors who are worth at least $2.5 million.

Those who qualify can invest a minimum of $250,000 into the broader fund, $100,000 in the specialized funds, or they can own part of a single painting.

Other investment funds, like the new “Collection of Modern Art” fund launched in May by London-based Castlestone Management, requires a smaller minimum investment of around $10,000.

The fund itself is based and regulated offshore in the British Virgin Islands. As such, it is open to investors only through financial advisors who can counsel clients on the risks and potential rewards involved.

Play it safe

How much of your portfolio should you allocate towards art? “I advise my clients to put no more than 5 percent of their wealth into art,” says Hoffman, noting investors in this economy, where demand is lower, should employ a buy and hold strategy.

“Art is a long-term goal rather than a short-term investment,” he says.

Be sure, too, to buy what you like. That way, if your 20th century still-life painting fails to appreciate in value, you can still appreciate its contribution to your dining room wall.

The post Here’s Looking At Handsome Returns first appeared on Indian Art News.

]]>
https://indianartnews.visionsarts.com/heres-looking-at-handsome-returns/feed/ 0 476